With each track paired with an animal, I began sketching out gestural drawings for my final models. I took into account how the music made me feel; and if applicable the lyrics also. Not wanting my characters to seem to anthropomorphic as they had done in the past, I kept the gestures within the capabilities of each animal, using subtle human expressions and physical forms of affection to inform the gestures.
It was vital that I drew out the models in 2D before going directly to creating my 3D finals, without this step of the process I would not have been able to create such emotive final characters. At the end of each process I also made notes of what colour background I felt would best suit the song, and what to GIF//animate if I wer eto turn them into moving album artwork pieces.
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